The Sutton Subrang Dance Ensemble, Photo: Rolf Killius

The Museum of Croydon and the London Sitar Ensemble hosted a major exhibition in the Croydon NOW gallery of the Museum of Croydon, and other public display areas at Croydon Clocktower, from April to July 2009. The exhibition showcased the outputs of the ‘String and Dance Festival’ Project which was run by London Sitar Ensemble. The core exhibition comprised of oral history interviews (video), musical instruments and associated objects from the Community Groups involved and other donors (potentially the Horniman Museum), photographs and videos showing musical performances and dances from the Indian Sub-Continent as performed in the UK, costumes and associated musical instruments of all eight classical Indian dances and three folk dance genres from western India. Within the musical instruments display the emphasis was on string instruments like the sitar, sarangi, violin, veena, sarod, santoor and the supporting instruments like drums and cymbals.

Two photo exhibitions complemented the exhibition and were displayed in other public areas of the Clocktower: one showing Croydon-based dancers and musicians; and the other about a music instruments collection project in India. The exhibition was embedded in a string of events like workshops, rehearsals, oral tradition interviews and concerts. Taking and using a wealth of digital video, still photography and audio recordings constituted a major part of the activities and display.

Indian music and dance is one of the finest traditions in the world. Tracing its roots back to times immemorial, these art forms have an interesting pattern of evolutionary changes. Many changes, transformation and evolution have taken place, enriched by the contribution of the musicians and dancers, great and small, famous and unknown. The India – Britain story is a 400 year long tale of travel, migration and cultural exchange. This journey has made a significant influence on the cultural scene of British Arts. The ‘Indian Strings and Dances’ project, undertaken by London Sitar Ensemble and Croydon Museum and supported by the Heritage Lottery Fund, aims to explore the evolution and contribution made by the musicians and dancers in Britain.

The exhibition was curated by Lata Desai and Rolf Killius in close collaboration with Rob Shakespeare, Acting Museum Service Manager.

5^th to 10^th April 2009, Hanoi, Republic of Viet Nam

The UNESCO World Heritage Centre, Hanoi People’s Committee, Hanoi University of Architecture (HAU), the Polytechnic University of Valencia (UPV) and the Organizing Committee are pleased to announce the forthcoming 12^th FUUH International Seminar to be held at the National Convention Center (NCC) in Hanoi, Republic of Viet Nam, on the following theme:

“HISTORIC URBAN LANSCAPES: A NEW CONCEPT? A NEW CATEGORY OF WORLD HERITAGE SITES?”

The CALL FOR PAPERS and all relevant information is available on the seminar website:

http://universityandheritage.net/hanoi_seminar_2009

For further information, please contact with the seminar secretary:

2009seminar@fuuh.upv.es

]]> http://blog.icomos-uk.org/2008/10/08/historic-urban-landscapes-a-new-concept-a-new-category-of-world-heritage-sites/feed/ 0 icomos-uk http://blog.icomos-uk.org/2008/09/16/a-journey-through-kazakhstan/ http://blog.icomos-uk.org/2008/09/16/a-journey-through-kazakhstan/#comments Tue, 16 Sep 2008 09:34:42 +0000 icomos-uk http://icomosuk.wordpress.com/?p=784 ]]> Saturday 4th October, 9.30am-7pm

A study day organised in association with the British Museum, British Kazakh Society and the Royal Asiatic Society, focussing on the history and culture of Kazakhstan. It will include lectures by noted academics and writers of the archaeology, history, art and music of Kazakhstan, providing an introduction to this vast country of diverse landscapes and a rich cultural heritage. There will also be a performance by renowned Kazakh musicians of traditional music, a photographic exhibition and a reception at the end of the day.

For more information and bookings please click here.