World Heritage Sites: Their Value, Nomination and Management

Course/Professional Development
22 March 2010, Oxford

Cultural World Heritage Sites are incredibly diverse, ranging from individual monuments and sites, such as Stonehenge and Avebury, to historic areas and cities such as Bath, Liverpool and Edinburgh. The defining characteristic that links all cultural World Heritage Sites is that the asset or property must be recognised as being of ‘outstanding universal value’.

In many countries, World Heritage Sites are provided with statutory protection under national planning and/or development legislation. This is not the case in the United Kingdom, although the outstanding international importance of the site does constitute a key material consideration to be taken into account by local planning authorities in determining planning and listed building applications. Local authorities are also required to formulate specific planning policies for protecting World Heritage Sites.

This course introduces participants to the processes of WHS nomination and inscription, and explores the impact of WHS designation on the management of a site. It will discuss some of the practical issues that flow from WHS inscription and the need to manage and protect a site’s ‘outstanding universal value’. It is aimed at professionals who would like to know more about the position of World Heritage Sites in the planning process (in England and the rest of the UK), and to those who are keen to improve the quality, relevance and effectiveness of World Heritage Site management plans and planning.

Audience
The course is open to all, but will be of particular interest to:
• World Heritage Site co-ordinators and managers or those providing advice to other property owners/managers in the vicinity of a WHS;
• Planners who have to consider the potential impact of development proposals on a WHS or within the setting or buffer zone of a WHS;
• Heritage practitioners who wish to understand the importance and impact of World Heritage Sites or who might become involved in preparing a WHS management plan or a conservation management plan for a heritage asset in close proximity to one;
• Practitioners who have an interest in working on projects for UNESCO internationally.

More information

If you have any questions about this course, please email professional.arch@conted.ox.ac.uk

Indian Strings and Dances

All exhibition films are now available to watch on: http://www.youtube.com/user/RolfKillius

Rolf Killius

The Sutton Subrang Dance Ensemble, Photo: Rolf Killius

The Museum of Croydon and the London Sitar Ensemble hosted a major exhibition in the Croydon NOW gallery of the Museum of Croydon, and other public display areas at Croydon Clocktower, from April to July 2009. The exhibition showcased the outputs of the ‘String and Dance Festival’ Project which was run by London Sitar Ensemble. The core exhibition comprised of oral history interviews (video), musical instruments and associated objects from the Community Groups involved and other donors (potentially the Horniman Museum), photographs and videos showing musical performances and dances from the Indian Sub-Continent as performed in the UK, costumes and associated musical instruments of all eight classical Indian dances and three folk dance genres from western India. Within the musical instruments display the emphasis was on string instruments like the sitar, sarangi, violin, veena, sarod, santoor and the supporting instruments like drums and cymbals.

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Heritage and the Olympics

The 11th Cambridge Heritage Seminar
April 24th 2010

CALL FOR PAPERS

The 11th Cambridge Heritage conference seeks to examine the Olympics as a global and a local phenomenon affecting heritage by addressing two themes:  (1) the Olympics as heritage and (2) the impact of the Olympics on cultural heritage. Every four years the Olympics goes beyond just being a sporting event, offering a local and a global stage where countries can promote and showcase themselves to the world.  Cultural heritage is intimately entangled in the games, both in terms of the Olympics as historic, but also in how the event impacts the cultural heritage of the host country.

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